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	<title>SO@P</title>
	<link>https://someonlinearchitecturepractice.com</link>
	<description>SO@P</description>
	<pubDate>Thu, 25 Apr 2024 05:07:54 +0000</pubDate>
	<generator>https://someonlinearchitecturepractice.com</generator>
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	<item>
		<title>SOAP REEL</title>
				
		<link>https://someonlinearchitecturepractice.com/SOAP-REEL</link>

		<pubDate>Wed, 13 Dec 2023 13:28:53 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

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	<item>
		<title>ARCHIVE INDEX</title>
				
		<link>https://someonlinearchitecturepractice.com/ARCHIVE-INDEX</link>

		<pubDate>Wed, 13 Dec 2023 13:28:57 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

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SELECTED
WORKS,
TEACHING 
&#38;amp; ONGOING RESEARCH


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	<item>
		<title>AGE OF YOU</title>
				
		<link>https://someonlinearchitecturepractice.com/AGE-OF-YOU</link>

		<pubDate>Wed, 24 Apr 2024 21:21:16 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

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AGE OF YOU:
THE ARCHITECTURE 
OF STREAMING ARCHITECTURE





WINTER TERM 2021/22
GRADUATE DESIGN STUDIO

@./STUDIO3 - INSTITUTE FOR 
EXPERIMENTAL ARCHITECTURE


UNIVERSITY OF INNSBRUCK, AUSTRIA
︎ CONCEPT &#38;amp; DESIGN &#124; SO@P (UWE BRUNNER &#38;amp; DOMINIC SCHWAB).


︎ STUDENTS &#124;&#38;nbsp;AL JBALI SANDRA, BRAUNSCHWEIG HILDE KARIN, FRICK MAGDALENA, GRANZOTTO LUCA, HINTERSCHWEPFINGER TOBIAS XAVER, KHARKOVCHUK VITALII, KOGLER FLORIAN, MOOSMANN VIKTOR, SPANNRING ALTAGRACIA, NEUBAUER LAURA.


︎ LINKS 

&#124; AOY REEL.

Me. You. Us. Them. We are all part of the game… a game that is dominated by hyperconnectivity and the ubiquitous internet, where streaming data has become the most mundane activity embedded in the fabric of our daily life. At every opportunity, whether at home on our beloved bed, on the train, while grocery shopping or even during public events, we are persistently streaming data to and from our phones, smartwatches, laptops, or similar devices. Our attention is constantly split between our physical presence, i.e. the feeling of being in a tangible place, and the distant happenings of E-Sports events on Twitch, live podcasts on Clubhouse or the latest reality TV series on Netflix. Tele-audiovision has fundamentally transformed our daily existence, reshaping the way we interact and communicate with the world around us, and ultimately influencing our daily routines.


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Age of You (AoY) was a design studio in which we collectively explored these media assemblages, the spaces of World Wide Web and its architecture, aiming to comprehend their impact on our identities and lifestyles. We were closely looking at the phenomenon of streaming culture and its architectural understandings and formulations. This included a huge variety of disparate agents, such as hosts, crowds, spaces, infrastructures, mechanisms, protocols, rituals, cults and data, to name just a few of them. Additionally, we examined the interrelations between these elements to assess their performance as a network characterized by numerous parameters, including connectivity, transparency, performativity, ubiquity, empathy, irony, fidelity, accessibility, and more.







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In order to present the semester's investigation, students were encouraged to create Machinimas, which involve the use of real-time computer graphics to produce cinematic works. To ensure the creation of captivating visual productions, workshops were provided to introduce technologies such 3D Lidar Scanning, photogrammetry, volumetric capturing, 360-degree video production, and worldbuilding with game engines. 






The overall aim of the design studio was to provide students with the vocabulary of contemporary digital culture so they can adequately meet the challenges of being a literate architect of today (and tomorrow).



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		<title>A VIRTUAL ODYSSEY</title>
				
		<link>https://someonlinearchitecturepractice.com/A-VIRTUAL-ODYSSEY-1</link>

		<pubDate>Tue, 23 Apr 2024 05:25:47 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

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THE DRIFT:
A VIRTUAL ODYSSEY





SUMMER TERM 2021
UNDERGRADUATE&#38;nbsp; SEMINAR
@ ./STUDIO3 - INSTITUTE FOR 
EXPERIMENTAL ARCHITECTURE


UNIVERSITY OF INNSBRUCK, AUSTRIA
︎ SUPERVISOR &#124; SO@P (UWE BRUNNER &#38;amp; DOMINIC SCHWAB).


︎ STUDENTS &#124;&#38;nbsp;Acar Tamer, Comploi Tobia, Engelhard Suarez Victor, Fulterer Simon Markus, Guarino Luca Elias, Halbhuber Eugen, Hörtenhuber Viktoria, Huber Nadine Elvira, Jaschke Eva Ruth Maria, Junker, Selina Maria, Kahlenberg Caso Jael Patricia, Kargi Eren, Kasapoglu Selim, Kaser Felix, Koruga Thomas, Kumas Kübra, Kweon Minjeong, Lordes, Pontin Fontes Letícia, Mair am Tinkhof Sonja, Mirceta Zoran, Moosmann Viktor, Morlano Dominguez Pierre-Manuel, Öttl Julian, Patton Arianna, Pescatore Maxime Pierre Olivier, Preindl Sophia, Prem Carina, Pretzel Leopold, Prodinger Lukas, Rangger Lukas, Resch Johannes Sebastian, Rohrer Michael, Rothschopf Thomas, Sam Tobias, Schedel Leonhard Maximilian, Starke Leopold, Tonitz Raphael, Wurzrainer Matthias Christian.

︎ LINKS 

&#124; MOZILLA HUBS SPACE, DECENTRALAND BLOG, MINECRAFT BLOG.&#38;nbsp;&#38;nbsp; &#38;nbsp;

In this course, we sent students on an expedition. Thirteen different teams took on the role of interstellar travel bloggers, venturing out in search of the genealogy of virtual worlds. They wandered, observed, and meticulously documented their findings. Through logbooks, digital artifacts, and reflective essays on their journeys, they created blog entries and experimental micro-documentaries that artistically blend factual encounters with fictional narratives.







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&#60;img width="1440" height="900" width_o="1440" height_o="900" data-src="https://freight.cargo.site/t/original/i/2f8e6124faeb866c17caa3a84cb89ad8872b196cb823ddd6f93a00f587a11eb6/zoom.jpg" data-mid="209535517" border="0"  src="https://freight.cargo.site/w/1000/i/2f8e6124faeb866c17caa3a84cb89ad8872b196cb823ddd6f93a00f587a11eb6/zoom.jpg" /&#62;


The undergraduate seminar was perceived as both a research expedition with unpredictable outcomes and an experiment designed to delve into the complexities and idiosyncrasies of digital realms. Its purpose was to illustrate the coexistence of physical and digital realms, shedding light on the inherent absurdities found within their overlaps.






</description>
		
	</item>
		
		
	<item>
		<title>HERE &#38; THERE</title>
				
		<link>https://someonlinearchitecturepractice.com/HERE-THERE</link>

		<pubDate>Tue, 23 Apr 2024 07:11:15 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/HERE-THERE</guid>

		<description>
	HERE 
&#38;amp; THERE





04-11.09.2022&#38;nbsp;XR WORKSHOP 
@ VIENNA ARCHITECTURE 
SUMMER SCHOOL


VIENNA, AUSTRIA

︎ TUTORS &#124; SO@P (UWE BRUNNER, DOMINIC SCHWAB), CENK GÜZELIS, STEFAN MAIER︎ PARTICIPANTS &#124; 
 YANNICK DATZER, LUCIA HERBER, DILA

KIRMIZITOPRAK



︎ GUESTS&#38;nbsp; &#124; PAULA STRUNDEN︎ PHOTO CREDITS &#124; SO@P, RICHARD POBASCHNIG︎ PRESS &#38;amp; LINKS &#124; VAS²22


 


Here And There - Inhabiting Spatial Documents&#38;nbsp;was a workshop held as part of the Vienna Architecture Summer School 2022, that explored the architectural relevance of social media as a space-making practice.





&#60;img width="1417" height="945" src="https://freight.cargo.site/w/1417/q/94/i/249a6db404b3f696c3661b2b3f68291dbe62285f8ba69bf0a654d0affa1691c9/20220908-RI_P9995_WEB.jpg"&#62;



As we slowly transition from two-dimensional social media feeds to fully inhabitable social media spaces (such as VRChat, Mozilla Hubs, or AltspaceVR), architects and designers are faced with new paradigms of space-making that fundamentally change the way we are expected to conceived, constructed, and ultimately share spaces with the public. While this shift may break with established architectural conventions, the most persistent question remains unchanged: How do we craft spaces that are meaningful?






&#60;img width="1760" height="928" width_o="1760" height_o="928" data-src="https://freight.cargo.site/t/original/i/f99febdb955c3ffb93eb9cab986a4bf30dd2abfbf8baeed27d2445a050c0690d/Karlaplatz02_web.jpg" data-mid="209989562" border="0"  src="https://freight.cargo.site/w/1000/i/f99febdb955c3ffb93eb9cab986a4bf30dd2abfbf8baeed27d2445a050c0690d/Karlaplatz02_web.jpg" /&#62;
&#60;img width="1533" height="808" width_o="1533" height_o="808" data-src="https://freight.cargo.site/t/original/i/a57cd91a05698e9502c968fb4b275a48b31d73e51169ad8230aa437c68292dee/VASS-2022-Karlsplatz_web.jpg" data-mid="209989557" border="0"  src="https://freight.cargo.site/w/1000/i/a57cd91a05698e9502c968fb4b275a48b31d73e51169ad8230aa437c68292dee/VASS-2022-Karlsplatz_web.jpg" /&#62;
&#60;img width="2496" height="1317" width_o="2496" height_o="1317" data-src="https://freight.cargo.site/t/original/i/c1f6a999c0d844a8d63a667c397c5568062950766692a695fc302b9daecdaee0/Here-There_4K_29.04_web.jpg" data-mid="209993486" border="0"  src="https://freight.cargo.site/w/1000/i/c1f6a999c0d844a8d63a667c397c5568062950766692a695fc302b9daecdaee0/Here-There_4K_29.04_web.jpg" /&#62;
&#60;img width="2496" height="1316" width_o="2496" height_o="1316" data-src="https://freight.cargo.site/t/original/i/d7d19a16fa43e64193bc632979967d06ceb1bd77d8710f4953323b74c35ef6ab/Here-There_4K_29_web02.jpg" data-mid="209993595" border="0"  src="https://freight.cargo.site/w/1000/i/d7d19a16fa43e64193bc632979967d06ceb1bd77d8710f4953323b74c35ef6ab/Here-There_4K_29_web02.jpg" /&#62;




During this workshop, we addressed this question by exploring a form of personal space-making akin to writing a diary or personal log. Instead of using pen and paper, participants engaged in diary-making through space and time using volumetric space capture technology and digital worldbuilding.
 




&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/1d1e5dc6d114ed9f75e9f9df6cdd152d70ae8180640b1a05aa1d33ea80a67a90/20220906-RI_P9192.jpg" data-mid="209541253" border="0"  src="https://freight.cargo.site/w/1000/i/1d1e5dc6d114ed9f75e9f9df6cdd152d70ae8180640b1a05aa1d33ea80a67a90/20220906-RI_P9192.jpg" /&#62;
&#60;img width="1980" height="1320" width_o="1980" height_o="1320" data-src="https://freight.cargo.site/t/original/i/d9b82e04b242845c8cb74c62ae3bd1fbb866847b384deb53f6af21a4c14837f8/20220911-RI_P1162_web.jpg" data-mid="209989640" border="0"  src="https://freight.cargo.site/w/1000/i/d9b82e04b242845c8cb74c62ae3bd1fbb866847b384deb53f6af21a4c14837f8/20220911-RI_P1162_web.jpg" /&#62;
&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/448f068ed59966aabf6f71b98fb7aaae0b5f7be7d57c0c7a05db2839c55b88b8/20220906-RI_P9487.jpg" data-mid="209541280" border="0"  src="https://freight.cargo.site/w/1000/i/448f068ed59966aabf6f71b98fb7aaae0b5f7be7d57c0c7a05db2839c55b88b8/20220906-RI_P9487.jpg" /&#62;
&#60;img width="1411" height="940" width_o="1411" height_o="940" data-src="https://freight.cargo.site/t/original/i/e8da31b8ece9179423ea375c3cce16c96e1f60e22aab4504ca590f008ea934af/20220911_143440_web.jpg" data-mid="209991931" border="0"  src="https://freight.cargo.site/w/1000/i/e8da31b8ece9179423ea375c3cce16c96e1f60e22aab4504ca590f008ea934af/20220911_143440_web.jpg" /&#62;
&#60;img width="1490" height="994" width_o="1490" height_o="994" data-src="https://freight.cargo.site/t/original/i/43521ddd1687788a98f29cf0728a7dad3c9f00452c3639842b1b39b6e05682d4/20220911-RI_P0950_web.jpg" data-mid="209995704" border="0"  src="https://freight.cargo.site/w/1000/i/43521ddd1687788a98f29cf0728a7dad3c9f00452c3639842b1b39b6e05682d4/20220911-RI_P0950_web.jpg" /&#62;





The workshop consisted of two parts. In the first part, participants explored practices of live capturing spatial footage using volumetric video and 3D scanning technology. Collaborative field trips in Vienna aided in building a spatio-temporal archive, serving as the foundation for the space-making process. The second part involved composing spatial diaries based on the collective four-dimensional archive and sharing them through hosting live events in a mixed reality setup for both local and remote vistors.
 




</description>
		
	</item>
		
		
	<item>
		<title>DESKTOP DELIVERIES</title>
				
		<link>https://someonlinearchitecturepractice.com/DESKTOP-DELIVERIES</link>

		<pubDate>Mon, 26 Feb 2024 17:06:30 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/DESKTOP-DELIVERIES</guid>

		<description>
	DESKTOP 
DELIVERIES

02.-10.09.2023 WORKSHOP 
@ VIENNA ARCHITECTURE&#38;nbsp;
SUMMER SCHOOL
VIENNA, AUSTRIA
︎ TUTORS &#124; SO@P (UWE BRUNNER, DOMINIC SCHWAB &#38;amp; BETTINA KATJA LANGE).︎ PARTICIPANTS &#124; 
VALENTIN HINZ, SABRINA DORNER, ZOE OSCHWALD, AHMED AFATTAH, YANNICK DATZER.︎ PHOTO CREDITS &#124; SO@P, RICHARD POBASCHNIG.︎ PRESS &#38;amp; LINKS &#124; VAS²23.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


The way we consume food is undergoing a significant change. In the past ten years, the food service industry has experienced dramatic changes, with the covid-19 pandemic further accelerating this trend. The linear model, where food producers sell their products to wholesalers, who then distribute them to brick and mortar supermarkets, restaurants, and hospitality establishments, is being gradually replaced by a fast-paced, complex digital ecosystems and distributed micro warehouses.


&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/a328b0e2115095790e8c2f2f70cb89755e373fac4a0ff26972e53d46e4661f5c/20230910-IMG_1570.jpg" data-mid="209356715" border="0"  src="https://freight.cargo.site/w/1000/i/a328b0e2115095790e8c2f2f70cb89755e373fac4a0ff26972e53d46e4661f5c/20230910-IMG_1570.jpg" /&#62;
&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/43c1292dcd325c0cbd228b4fd8ba58e3653cc27cdb4f1ebf5cd618591e4fe02e/20230910-IMG_1605.jpg" data-mid="209977848" border="0"  src="https://freight.cargo.site/w/1000/i/43c1292dcd325c0cbd228b4fd8ba58e3653cc27cdb4f1ebf5cd618591e4fe02e/20230910-IMG_1605.jpg" /&#62;
&#60;img width="1430" height="954" width_o="1430" height_o="954" data-src="https://freight.cargo.site/t/original/i/d8921e6f040d21df43b27e3a7b8d21189cb11570d0b85a2ce53aee058621f64d/20230902-IMG_3695_web.jpg" data-mid="209978378" border="0"  src="https://freight.cargo.site/w/1000/i/d8921e6f040d21df43b27e3a7b8d21189cb11570d0b85a2ce53aee058621f64d/20230902-IMG_3695_web.jpg" /&#62;
At the Vienna Architecture Summer School 2023 we explored the intricate dynamics between digital food delivery services, physical spaces, and the labor involved in this emerging food industry. Therefore, our exploration was of dual concerne.
Firstly, we examined the realm of food delivery apps, focusing on their seductive online user experiences and their public relations (PR) strategies they employ to establish their brands.

 
&#60;img width="5472" height="3072" width_o="5472" height_o="3072" data-src="https://freight.cargo.site/t/original/i/1f5f4d85c26d9ab50b91dd3d7920da949253e7479824c687111d08ff34c98b74/IMG_1165.JPG" data-mid="209254118" border="0"  src="https://freight.cargo.site/w/1000/i/1f5f4d85c26d9ab50b91dd3d7920da949253e7479824c687111d08ff34c98b74/IMG_1165.JPG" /&#62;


Secondly, we traced the spatial consequences of food delivery services in the urban fabric of vienna. This entailed various aspects, such as the documentation of the physical infrastructure connected to food delivery, including food storage facilities, delivery hubs, informal meeting points of delivery employees, and other relevant places. 
&#38;nbsp;

&#60;img width="5472" height="3072" width_o="5472" height_o="3072" data-src="https://freight.cargo.site/t/original/i/917f808e57c8f08f60e8ecc5fa85e1b1ce6f81e795e470e57ac2a13adeea6dac/IMG_1125.JPG" data-mid="209336279" border="0"  src="https://freight.cargo.site/w/1000/i/917f808e57c8f08f60e8ecc5fa85e1b1ce6f81e795e470e57ac2a13adeea6dac/IMG_1125.JPG" /&#62;

      

&#60;img width="3484" height="1966" width_o="3484" height_o="1966" data-src="https://freight.cargo.site/t/original/i/44c817cddd37e2034734e3813d9d8a9d077531cb1ce82c2803974346b5f28f51/Sabrina-Desktop-Docu01.jpg" data-mid="209978485" border="0"  src="https://freight.cargo.site/w/1000/i/44c817cddd37e2034734e3813d9d8a9d077531cb1ce82c2803974346b5f28f51/Sabrina-Desktop-Docu01.jpg" /&#62;
&#60;img width="3493" height="1969" width_o="3493" height_o="1969" data-src="https://freight.cargo.site/t/original/i/4120509e0253ee643eb8a2a4a76a62aff9cd5b26068ed9ee6a305c438c813fdc/Sabrina-Desktop-Docu02.jpg" data-mid="209979262" border="0"  src="https://freight.cargo.site/w/1000/i/4120509e0253ee643eb8a2a4a76a62aff9cd5b26068ed9ee6a305c438c813fdc/Sabrina-Desktop-Docu02.jpg" /&#62;
&#60;img width="3495" height="1966" width_o="3495" height_o="1966" data-src="https://freight.cargo.site/t/original/i/7cfe3adf8a2b4eaef819c1666896dca7aaefef6ffe8043ce4bf08ce2af2ae25d/Sabrina-Desktop-Docu03.jpg" data-mid="209981332" border="0"  src="https://freight.cargo.site/w/1000/i/7cfe3adf8a2b4eaef819c1666896dca7aaefef6ffe8043ce4bf08ce2af2ae25d/Sabrina-Desktop-Docu03.jpg" /&#62;
&#60;img width="3484" height="1965" width_o="3484" height_o="1965" data-src="https://freight.cargo.site/t/original/i/6903a716d58df10f2c3a92bdd293ffaf425f2200d6e7a9ee2b8c70af14451ca7/Zoe-DektopDocu-01.jpg" data-mid="209982800" border="0"  src="https://freight.cargo.site/w/1000/i/6903a716d58df10f2c3a92bdd293ffaf425f2200d6e7a9ee2b8c70af14451ca7/Zoe-DektopDocu-01.jpg" /&#62;
&#60;img width="3156" height="1781" width_o="3156" height_o="1781" data-src="https://freight.cargo.site/t/original/i/879d04464c085d6448f2d4a9b52bfbd19bff7436a273de914211fd0f0e4b62f6/Valentin-DD01.jpg" data-mid="209983154" border="0"  src="https://freight.cargo.site/w/1000/i/879d04464c085d6448f2d4a9b52bfbd19bff7436a273de914211fd0f0e4b62f6/Valentin-DD01.jpg" /&#62;
&#60;img width="3145" height="1774" width_o="3145" height_o="1774" data-src="https://freight.cargo.site/t/original/i/31a2cdd121791eb1ca7667bb9354c4200977aefc9d12dd3b41b67c5d7a7782a3/Valentin-DD02.jpg" data-mid="209983155" border="0"  src="https://freight.cargo.site/w/1000/i/31a2cdd121791eb1ca7667bb9354c4200977aefc9d12dd3b41b67c5d7a7782a3/Valentin-DD02.jpg" /&#62;
&#60;img width="3484" height="1965" width_o="3484" height_o="1965" data-src="https://freight.cargo.site/t/original/i/3a46e42308b8ca62fe45ae50c4257c9bd77ba2b4b66eb8d2fd38edcf111c7a38/Sewilliam-DD01.jpg" data-mid="209983277" border="0"  src="https://freight.cargo.site/w/1000/i/3a46e42308b8ca62fe45ae50c4257c9bd77ba2b4b66eb8d2fd38edcf111c7a38/Sewilliam-DD01.jpg" /&#62;
&#60;img width="3156" height="1781" width_o="3156" height_o="1781" data-src="https://freight.cargo.site/t/original/i/b6542d304781b07ef8d91d78d4331e8de5befa93d56a7530f44014f84870c604/Collage01.jpg" data-mid="209983884" border="0"  src="https://freight.cargo.site/w/1000/i/b6542d304781b07ef8d91d78d4331e8de5befa93d56a7530f44014f84870c604/Collage01.jpg" /&#62;
&#60;img width="3484" height="1963" width_o="3484" height_o="1963" data-src="https://freight.cargo.site/t/original/i/8df26575cebaca625d055325e8175d591fe9668ea3348cbbcf5fbafb584b2d5c/Sewilliam-DD02.jpg" data-mid="209983412" border="0"  src="https://freight.cargo.site/w/1000/i/8df26575cebaca625d055325e8175d591fe9668ea3348cbbcf5fbafb584b2d5c/Sewilliam-DD02.jpg" /&#62;
&#60;img width="3493" height="1959" width_o="3493" height_o="1959" data-src="https://freight.cargo.site/t/original/i/c903505d54d1464ca8cc878cb1793b5b5126ebbe2181ca131923dd7cc1602c0c/Sewilliam-DD04.jpg" data-mid="209983337" border="0"  src="https://freight.cargo.site/w/1000/i/c903505d54d1464ca8cc878cb1793b5b5126ebbe2181ca131923dd7cc1602c0c/Sewilliam-DD04.jpg" /&#62;



As our investigation seamlessly alternated between online and offline inquiries, we have chosen a unique approach known as desktop documentaries to showcase our week-long exploration. this documentary method involves using the desktop as both a lens and a canvas to capture, navigate and present our excursion into the realm of food delivery services.

 

 </description>
		
	</item>
		
		
	<item>
		<title>DOWN BY LAW</title>
				
		<link>https://someonlinearchitecturepractice.com/DOWN-BY-LAW</link>

		<pubDate>Thu, 25 Apr 2024 05:07:54 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/DOWN-BY-LAW</guid>

		<description>
	
DOWN 
BY LAW






10.04.2020

VIRTUAL EXHIBITION 

@&#38;nbsp;./STUDIO3 - INSTITUTE 
FOR
 EXPERIMENTAL ARCHITECTURE
UNIVERSITY OF INNSBRUCK, AUSTRIA

︎ SUPERVISORS &#124; SO@P (UWE BRUNNER)

&#124;
LINO LANZMAIER, SUNA PETERSEN, HELVIJS SAVICKIS, RAFFAEL SCHWAERZLER, ANDREAS ZISSLER.
︎ STUDENTWORKS &#124; HERMANN MEIKE ANNELI, HUMMER JASMIN, LADIG FELICIA LEA, LAMP THERESA, LANGER ANNIKA MARIE, LANSCHÜTZER LEIA, LIEBHART VIKTORIA, LORENZ HANNA, LORENZ MAX, LORENZONI MAXIME MICHELLE, MANFRINI EDOARDO, MARTE ANNA SOPHIA, MAUCH TABITA LEA, MAYER LAURA, MAYR JOHANNA, MEIER LYNN, MEIXNER SINA, MENNIG MORITZ BENEDIKT, MERSEBURG JANA ULRIKE, MESCHIK PHILIPP LEON, TANNER LUCA ANDREA, WERNER FRANZISKA MARIA JOHANNA, DEVENS VINCENT FEDERICO, MIGGA FABIENNE, GESER ELIAS, SCHULZ HANNAH, SCHWARZ EMMA, SCHWEIGER JOHANNES MARTIN, SCHWEIGER MICHAEL, SCHWEITZER KONSTANTIN STEFAN, SEIDL GABRIEL, SPAN JOHANNA, SPRATLER VALENTIN MARIA, STOCK ANNA, STOFFT LEON SERAFIN, STOPPEL MARTINA, STÖTTER ANNA-LENA CARINA ISABELLA, STRAKA BASTIAN, STUDER MARVIN, TAKIM ZEYNEP, ASCHAUER SELINA, GRÄTZER ANNA MARIA, GÜNES YAREN, KHÄLSS MORITZ, OBERHOLLENZER SUSANNE, TAPPEINER PHILIPP, TARAKCI SEVAL, TAUDES SEBASTIAN, TEMEL SILA KÜBRA, THALER LISA ANNA, TROLL SELENA BETTINA, TROLL SIMON MICHAEL, UNTERLECHNER CLEMENS, UNTERTHINER MARIE CHRISTIN, UNTERWEGER BENJAMIN, VARGA ÁRPÁD ZOLTÁN, VENNEMANN FERDINAND HEINRICH, VLASIC MIROSLAV, VUILLEUMIER LAURA, WASLE ALEXANDER, DAVERDA MICHAEL, ERNST JANINE JAQUELINE, GRAF KANNENBERG ALEX, WEISKOPF OSKAR, WEISSTEINER SEBASTIAN, WIDL MARLENE, WIESER BEN LUCA, WIESINGER IRINA ISABELLA, WIMMER SEBASTIAN DANIEL, WINTERSTELLER FALK ZINO LANCELOT, WOHLFARTER MATTHIAS, WOHLGENANNT JONAS, WÖHR EMILIA SOPHIE LUISE, WÖHRLE EMILY RUTH, WROBEL HELEN CHARLOTTE, WUNDERLE JAKOB ANTONIN, WURZER THERESA, ZAUNER BENJAMIN, ZEISLER NIKLAS, ZELLOTH JESSICA, ZIEGLER NINA.
︎ PHOTO CREDITS &#124; 

SO@P.

︎ PRESS &#38;amp; LINKS &#124; ./STUDIO3,&#38;nbsp;FACEBOOK, SANSAR.








In the face of the ongoing pandemic, there's an amplified urgency to cultivate environments conducive to the perpetual exchange of contemporary ideas. With the exhibition Down By Law, we are responding architecturally and pedagogically to the current situation of mandated distance and isolation, presenting for the first time a design studio that took place entirely in virtual space.









&#60;img width="3490" height="1842" width_o="3490" height_o="1842" data-src="https://freight.cargo.site/t/original/i/0a0fecd07eec7238d02521646d7b8eba7a031d86427303b976ca291576d010d6/SansarImage02_web.jpg" data-mid="209890450" border="0"  src="https://freight.cargo.site/w/1000/i/0a0fecd07eec7238d02521646d7b8eba7a031d86427303b976ca291576d010d6/SansarImage02_web.jpg" /&#62;




This exhibition showcases the creative endeavors of 133 first-year students, each drawing inspiration from Max Ernst's iconic The Nature of Dawn Evening Devotion, embarking on explorations of surreal landscapes through a myriad of media. 

 








From architectural installations to sketches, sound collages, and mixed-media projects, these works are meticulously curated across 42 virtual chambers, hosted on the social media platform Sansar.





&#60;img width="3487" height="1843" width_o="3487" height_o="1843" data-src="https://freight.cargo.site/t/original/i/9375c7afdd21583ff67648f56230ebaae12d62325861c2079dc74cdc099739f3/Sansar03_web.jpg" data-mid="209890446" border="0"  src="https://freight.cargo.site/w/1000/i/9375c7afdd21583ff67648f56230ebaae12d62325861c2079dc74cdc099739f3/Sansar03_web.jpg" /&#62;
&#60;img width="3498" height="1846" width_o="3498" height_o="1846" data-src="https://freight.cargo.site/t/original/i/f817ea191a10d3304ba29ef298ed36785c8d21dac9b3db72d3e66e151582d3a9/Sansar05_web.jpg" data-mid="209894067" border="0"  src="https://freight.cargo.site/w/1000/i/f817ea191a10d3304ba29ef298ed36785c8d21dac9b3db72d3e66e151582d3a9/Sansar05_web.jpg" /&#62;


This exhibition Down By Law serves as an example of how university work can be made accessible to a broader audience and how architecture and art can be experienced in a multifaceted way. The social media platform Sansar provides us with an arena where visitors are able to immerse themselves in the virtual milieu, engaging with peers through personalized avatars, and experiencing the virtual exhibition collectively. 

 



&#60;img width="2096" height="1108" width_o="2096" height_o="1108" data-src="https://freight.cargo.site/t/original/i/b4545b813d8e99877f9b44b554c7e27e8be1ed40bbcd4f3251b81981b3d62c38/Sansar04_web.jpg" data-mid="209894068" border="0"  src="https://freight.cargo.site/w/1000/i/b4545b813d8e99877f9b44b554c7e27e8be1ed40bbcd4f3251b81981b3d62c38/Sansar04_web.jpg" /&#62;
&#60;img width="3495" height="1849" width_o="3495" height_o="1849" data-src="https://freight.cargo.site/t/original/i/e6260449be0b8499742758d2ccbe5ef5ec6015322a8c8d6d4e760559e2108596/Sansar06_web.jpg" data-mid="209894116" border="0"  src="https://freight.cargo.site/w/1000/i/e6260449be0b8499742758d2ccbe5ef5ec6015322a8c8d6d4e760559e2108596/Sansar06_web.jpg" /&#62;

 
Moreover, unlike traditional exhibitions, this virtual showcase endures indefinitely, perpetually accessible to a global audience via the World Wide Web.
&#60;img width="3490" height="1847" width_o="3490" height_o="1847" data-src="https://freight.cargo.site/t/original/i/46cd7daaf28f1d909b2df3ee31ef0eed6711309770be7b3e351e809ef5116a4c/SansarImage01_web.jpg" data-mid="209890447" border="0"  src="https://freight.cargo.site/w/1000/i/46cd7daaf28f1d909b2df3ee31ef0eed6711309770be7b3e351e809ef5116a4c/SansarImage01_web.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>MMMMM</title>
				
		<link>https://someonlinearchitecturepractice.com/MMMMM</link>

		<pubDate>Thu, 25 Apr 2024 03:22:07 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/MMMMM</guid>

		<description>
	
MACHINES 
MAKING 
MODELS 
MEETING 
MACHINES




SPRING 2024.MASTER THESIS BY LAURA NEUBAUER.

@&#38;nbsp;./STUDIO3 - INSTITUTE FOR 
EXPERIMENTAL ARCHITECTURE.


UNIVERSITY OF INNSBRUCK, AUSTRIA.
︎ SUPERVISORS &#124; SO@P (UWE BRUNNER &#38;amp; DOMINIC SCHWAB) &#38;amp; PROF. KATHRIN ASTE.


︎ STUDENT &#124; LAURA NEUBAUER.

︎ PHOTO CREDITS &#124; SO@P, LAURA NEUBAUER, ROXANE FÜRHOLZER.

︎ LINKS 

&#124; YOUTUBE.&#38;nbsp;
Models have been an integral component of the architectural profession since at least the Renaissance period. As part of the design process, they can serve as a metaphorical representation to think about, communicate and negotiate future realisations.
 
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ec19476dbaa59ea52655d07fa2f0e33ac751cb876567fde391625f360b038b66/IMG_3590.JPEG" data-mid="209961238" border="0"  src="https://freight.cargo.site/w/1000/i/ec19476dbaa59ea52655d07fa2f0e33ac751cb876567fde391625f360b038b66/IMG_3590.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/35f2e246bfa364407913d14a6938289949fe0d19e9e71619416f99858b33017a/IMG_3595.JPEG" data-mid="209961237" border="0"  src="https://freight.cargo.site/w/1000/i/35f2e246bfa364407913d14a6938289949fe0d19e9e71619416f99858b33017a/IMG_3595.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/cd192f695ce043a3d95b066d78288d0cd4f5d2a542d3b696d51a083511165835/IMG_3591.JPEG" data-mid="209961239" border="0"  src="https://freight.cargo.site/w/1000/i/cd192f695ce043a3d95b066d78288d0cd4f5d2a542d3b696d51a083511165835/IMG_3591.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6ed8917b99b9d7e002c1e8c058d3dd67f1bfcdb6bcffbbdd45a9c312a2f116e3/IMG_3594.JPEG" data-mid="209961242" border="0"  src="https://freight.cargo.site/w/1000/i/6ed8917b99b9d7e002c1e8c058d3dd67f1bfcdb6bcffbbdd45a9c312a2f116e3/IMG_3594.JPEG" /&#62;
&#60;img width="1621" height="2160" width_o="1621" height_o="2160" data-src="https://freight.cargo.site/t/original/i/8d638ebc4bc79ea9e5c1677337b243ceca1c7839f8159e460d06d84e0fa19cee/Laura_02.jpg" data-mid="209966582" border="0"  src="https://freight.cargo.site/w/1000/i/8d638ebc4bc79ea9e5c1677337b243ceca1c7839f8159e460d06d84e0fa19cee/Laura_02.jpg" /&#62;
&#60;img width="811" height="1081" width_o="811" height_o="1081" data-src="https://freight.cargo.site/t/original/i/d2cbf44f5413219cc509ddc0a72f6bdc17b193619b8a445847565e52732a2073/Laura_03.jpg" data-mid="209966772" border="0"  src="https://freight.cargo.site/w/811/i/d2cbf44f5413219cc509ddc0a72f6bdc17b193619b8a445847565e52732a2073/Laura_03.jpg" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4f096c70df197f9f7cb61f7c0af9e798e8f49b17f6988cf3a45d35ad45d61101/IMG_3593.JPEG" data-mid="209961241" border="0"  src="https://freight.cargo.site/w/1000/i/4f096c70df197f9f7cb61f7c0af9e798e8f49b17f6988cf3a45d35ad45d61101/IMG_3593.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/00023caef51f950eaf19bae83392c0f7b3badefc8ca6385e95bdc717d94720b7/IMG_3592.JPEG" data-mid="209961240" border="0"  src="https://freight.cargo.site/w/1000/i/00023caef51f950eaf19bae83392c0f7b3badefc8ca6385e95bdc717d94720b7/IMG_3592.JPEG" /&#62;

The history of the model
also reveals its scenographic and cinematographic affinities and thus the moments in which the model resists its conventional, representative function and becomes an independent, epistemic and ontological object. The model becomes the object of a dialectical fusion of original and copy, representation and presentation, past and present.


&#38;nbsp;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6e5790d7d6969c68595aeb621377deb0bae6b0d40940121a4a125078ca041b21/Laura_06.jpg" data-mid="209969583" border="0"  src="https://freight.cargo.site/w/1000/i/6e5790d7d6969c68595aeb621377deb0bae6b0d40940121a4a125078ca041b21/Laura_06.jpg" /&#62;
&#60;img width="1776" height="999" width_o="1776" height_o="999" data-src="https://freight.cargo.site/t/original/i/cd48a7d14cbf1b4814a683b761e87a115458c0069129e1f569dcff6add71dc1f/P1430653.jpg" data-mid="209704977" border="0"  src="https://freight.cargo.site/w/1000/i/cd48a7d14cbf1b4814a683b761e87a115458c0069129e1f569dcff6add71dc1f/P1430653.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/20f2230c2ac1325efcdefd62eae7a433035d6208d2372b57ee14d6ced3ac1950/Laura_0.jpg" data-mid="209967346" border="0"  src="https://freight.cargo.site/w/1000/i/20f2230c2ac1325efcdefd62eae7a433035d6208d2372b57ee14d6ced3ac1950/Laura_0.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/458dff0a3ee6a6a4f0750d959c43224d02528b09fceb05de7911d46ac3241022/Exhibitionsetting.jpg" data-mid="209966395" border="0"  src="https://freight.cargo.site/w/1000/i/458dff0a3ee6a6a4f0750d959c43224d02528b09fceb05de7911d46ac3241022/Exhibitionsetting.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a5f3a62a5b1db6aa210e44dab7372a31b73a89f9d237a6b3deb9843b1c580ec4/Laura_01.jpg" data-mid="209966449" border="0"  src="https://freight.cargo.site/w/1000/i/a5f3a62a5b1db6aa210e44dab7372a31b73a89f9d237a6b3deb9843b1c580ec4/Laura_01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/053c1d090b351b3c9d2bd1a4d9378b16fbcddb06abebbd44bcbc26275299a79c/Laura_05.jpg" data-mid="209969584" border="0"  src="https://freight.cargo.site/w/1000/i/053c1d090b351b3c9d2bd1a4d9378b16fbcddb06abebbd44bcbc26275299a79c/Laura_05.jpg" /&#62;

This project practises this synthesis in a model that draws its own genealogy. In it, an abstract chronology of its historical, linear origin is brought into dialogue with the actual landscapes that observe the extractivist and mineral ancestry of the digital model. This project is a fragmentary attempt to illuminate perspectives of the contemporary, virtual model through these two actions.


  
</description>
		
	</item>
		
		
	<item>
		<title>MANNERS</title>
				
		<link>https://someonlinearchitecturepractice.com/MANNERS</link>

		<pubDate>Thu, 25 Apr 2024 02:29:41 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/MANNERS</guid>

		<description>
	
MANNERS:ON ESSAYISM, ARCHITECTURE 
AND FRIED ARGUMENTS





SUMMER TERM 2023

GRADUATE SEMINAR

@&#38;nbsp;./STUDIO3 - INSTITUTE FOR 
EXPERIMENTAL ARCHITECTURE
UNIVERSITY OF INNSBRUCK, AUSTRIA
︎ SUPERVISORS &#124; SO@P (UWE BRUNNER &#38;amp; DOMINIC SCHWAB)


︎ STUDENTS &#124; 


TAMER


ACAR, CONSTANTINA 

FOURNOGERAKIS, LUITPOLD MAXIMILIAN 

HERTEL, JAN

HOFER, EVA MARIA LEONIE 

LÄNGLE,

MARCEL MARTIN, ZORAN 

MIRCETA, MONIKA 

RASCHLE, GERGANA 

TAKOVA, MAXIMILIAN FERDINAND

 HAPP, HELKE JETTE 
KÖLSCHBACH, JULIA MUSCHLER



︎ PHOTO CREDITS &#124; SO@P, ZOE OSCHWALD
︎ LINKS 

&#124; ./STUDIO3, VIDEO REEL.&#38;nbsp;

Over the course of this graduate seminar, we looked at the Essay as an aesthetic form, as a modality of thinking and as a specific way of staging arguments in and through space. 
 





&#60;img width="2736" height="1536" width_o="2736" height_o="1536" data-src="https://freight.cargo.site/t/original/i/a2cb4e209ac76fc407ea3be5d56ab8e0613b4047c4ce48c9717b320d42916dc9/IMG_0978.jpg" data-mid="209698419" border="0"  src="https://freight.cargo.site/w/1000/i/a2cb4e209ac76fc407ea3be5d56ab8e0613b4047c4ce48c9717b320d42916dc9/IMG_0978.jpg" /&#62;




Most people know the Essay from literature. But the Essay as an academic and artistic  expression has established itself in many creative practices and genres beyond written language, such as in documentary filmmaking, film studies, stage design, performance art, installation art and exhibition design, to name a few.





&#60;img width="2736" height="1536" width_o="2736" height_o="1536" data-src="https://freight.cargo.site/t/original/i/bef37f6836a8de451cd7b247362eac37c74676084c6788d71fa18729f00d8474/IMG_0820.jpg" data-mid="209698417" border="0"  src="https://freight.cargo.site/w/1000/i/bef37f6836a8de451cd7b247362eac37c74676084c6788d71fa18729f00d8474/IMG_0820.jpg" /&#62;




The departure point of the seminar was the film director Peter Greenaway and his unique cinematic work. One film in particular, namely ‘The Cook, the Thief, his Wife and her Lover’, served us as a context of study, as a site of intervention, as the material to be appropriated and staged, and as the substrate into which we immersed ourselves in order to formulate a spatial utterance in response.





&#60;img width="2736" height="1824" width_o="2736" height_o="1824" data-src="https://freight.cargo.site/t/original/i/7adb4b22c083e14ae65436989aef013c4bb24507512f891a6a61c6d638f50d31/IMG_0927.jpg" data-mid="209699034" border="0"  src="https://freight.cargo.site/w/1000/i/7adb4b22c083e14ae65436989aef013c4bb24507512f891a6a61c6d638f50d31/IMG_0927.jpg" /&#62;

The idea of the course was to investigate a space-making that is liberated from rigid tectonic constraints but rather sets its foundation on intellectual and sensual building blocks. Therefore, we tried to imagine a spatial condition as flexible, as fast, and as explicit as the spoken word.







 
&#60;img width="2736" height="1536" width_o="2736" height_o="1536" data-src="https://freight.cargo.site/t/original/i/45a09a746ba37fefed18c27c072d678728bd89c185a99b712dd43bd1f22f3c05/IMG_0969.jpg" data-mid="209698418" border="0"  src="https://freight.cargo.site/w/1000/i/45a09a746ba37fefed18c27c072d678728bd89c185a99b712dd43bd1f22f3c05/IMG_0969.jpg" /&#62;


Inspired by a diverse spectrum of essayistic expression, each group of students has been asked to design a virtual environment guided by an argument as a response to a specific architectural theme encountered in Greenaway's film. The design part of the seminar was accompanied by film screenings, workshops, lectures and round table discussions.



&#60;img width="2736" height="1536" width_o="2736" height_o="1536" data-src="https://freight.cargo.site/t/original/i/bbec564c46ba1837ecd01652218499dc4b4c782e9d85f310098a29d3a7a8ca0b/IMG_0834.jpg" data-mid="209699015" border="0"  src="https://freight.cargo.site/w/1000/i/bbec564c46ba1837ecd01652218499dc4b4c782e9d85f310098a29d3a7a8ca0b/IMG_0834.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>I AM A MEME</title>
				
		<link>https://someonlinearchitecturepractice.com/I-AM-A-MEME</link>

		<pubDate>Sun, 21 Apr 2024 23:28:57 +0000</pubDate>

		<dc:creator>SO@P</dc:creator>

		<guid isPermaLink="true">https://someonlinearchitecturepractice.com/I-AM-A-MEME</guid>

		<description>
	
I AM A MEME


SUMMER TERM 2022
UNDERGRADUATE DESIGN STUDIO


@&#38;nbsp;./STUDIO3 - INSTITUTE FOR 
EXPERIMENTAL ARCHITECTURE
 UNIVERSITY OF INNSBRUCK, AUSTRIA



︎ SUPERVISORS &#124; SO@P (UWE BRUNNER &#38;amp; DOMINIC SCHWAB), URSULA PFLIGERSDORFFER, ANNA POMPERMAIER ,CHRISTIAN DUMMER, JONA WOLF, FLAVIA MAZZANTI, MANUEL BONELL.


︎ STUDENTS &#124; LENA FRITSCH, SELINA FÜRHAPTER, LARA KAUFMANN, CHIARA KOCH, LUCA TANNER, BASMA EBRAHIM, CHRISTOPH KOGL, LUKA GJORGJEVIKJ, BAUMANN NIKLAS, NEY MAXIMILIAN NIKOLAUS, JUNGMAIR LENA ANNA, ABD ELDAYEM FATIMA, BÄRTLE OSKAR GREGOR, FIEGL THERESA, GOSALCI ARIANA, KOPP JANA, MÄRKL VIKTORIA, MAST FELIX MARIA KARL, NÄGELE ELIAS, RINNER DANIEL, SCHWARZ ARTHUR, STEINER ALEXANDRA, VAN DER SPEK LUCAS CASSIAN, BERWANGER ANNA-VICTORIA, EDER MAGDALENA, EICHLER DAVID, FEICHTINGER TIM OSCAR, GASSE JULIA, HAAS KILIAN PETER, HARRASSER IRA, HUBER LEA, KRETSCHMER EMILY SOFIE, LIEB ALINA, MAGER GRETA SOPHIE, SITZENFREY JENNY, SKRCENA CHRISTINA, STRASSENBERGER HANNA, ÜBERBACHER ANGELINA, ABD ELDAYEM FATIMA, ADLER FRANZ, ALBRECHT TOBIAS RALF, FISCHNALLER BENJAMIN, FÜRHOLZER ROXANE BADA MOON, MICHELS YVES, PATSCHEIDER LIA, PRANGER RENE, RACHBAUER JONAS, RIETZLER KILIAN ANTON JOACHIM, SOMERHOLTER CORINNA MARIE, THORSEN ALEXANDER SANNES, VALLE SIEBER DOMINIK.

︎ 

PRESS &#38;amp; LINKS &#124;


./STUDIO3,
INSTAGRAM.

 



















Through cultural practices of copying, sampling, mixing, recoding, and
sharing, memes evolve into assemblages of cultural expression. As a significant
portion of our social activities has shifted to virtual realms, memes have
emerged as one of the most creative and vibrant forms of digital communication
in recent years.



Today, memes serve as powerful tools for engaging with reality. They are
not detached from societal conditions but rather reflect them in multiple ways.
Social conditions are often made visible through memetic output.

Memes always engage with culturally preformed objects and content.
Mimetic expressions are often ironic and playful. With intertextuality as a
foundational principle, new semantic relationships are assembled, layered,
overlaid, and continually rearranged from references and cross-references.


Memes are instruments to not only make realities visible but also to
expand them.




&#60;img width="932" height="932" width_o="932" height_o="932" data-src="https://freight.cargo.site/t/original/i/ade52e1d3900845e3749c55948523746df648923ae51ee0d6c836a379a9af949/Detail_04.jpg" data-mid="209441099" border="0"  src="https://freight.cargo.site/w/932/i/ade52e1d3900845e3749c55948523746df648923ae51ee0d6c836a379a9af949/Detail_04.jpg" /&#62;
&#60;img width="903" height="903" width_o="903" height_o="903" data-src="https://freight.cargo.site/t/original/i/881d79286860be96017ad7e410795d25140f65ae6ace0d280a486a1990d0530a/Detail_05.jpg" data-mid="209441100" border="0"  src="https://freight.cargo.site/w/903/i/881d79286860be96017ad7e410795d25140f65ae6ace0d280a486a1990d0530a/Detail_05.jpg" /&#62;
&#60;img width="1208" height="1208" width_o="1208" height_o="1208" data-src="https://freight.cargo.site/t/original/i/947d347ba30ec4ba20d3c7fca327cd4156e0c719c4a6d0fab2f1b614a099020a/Decq_AdFr_e05.jpg" data-mid="209508568" border="0"  src="https://freight.cargo.site/w/1000/i/947d347ba30ec4ba20d3c7fca327cd4156e0c719c4a6d0fab2f1b614a099020a/Decq_AdFr_e05.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bd609672226232e880e2e811823de1b97d7325d5090cd6e945fad13bd9352700/Detail_06.jpg" data-mid="209441101" border="0"  src="https://freight.cargo.site/w/1000/i/bd609672226232e880e2e811823de1b97d7325d5090cd6e945fad13bd9352700/Detail_06.jpg" /&#62;
&#60;img width="890" height="890" width_o="890" height_o="890" data-src="https://freight.cargo.site/t/original/i/527ca54d18a1d05820fda8b86c2eec081717fa8714bc27748fcf6bb4238993c1/mast_felix_parts_02.jpg" data-mid="209505169" border="0"  src="https://freight.cargo.site/w/890/i/527ca54d18a1d05820fda8b86c2eec081717fa8714bc27748fcf6bb4238993c1/mast_felix_parts_02.jpg" /&#62;
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The aim of the design studio was to appropriate the production model of meme culture as a transformative method for iconographic architectural realities, thereby approaching speculative architectural practice in the context of the current internet and communication culture.

Following a postmodern paradigm, students’ task was to develop an architectural vocabulary through the method of ‘sampling.’ The derived catalogue of architectural samples collided with the specificities of various communities or subcultures, provoking a new architectural language that referentially drew upon a layering of tectonic, decorative, and functional elements.

The design process was characterized by serial and iterative work; the question of authorship increasingly receded into the background, seemingly dissolving within the collective of groups by the end of the semester. A playful approach to the composition of geometry, texture, ornament, object, and function took center stage. Impulsiveness and naivety as design catalysts contributed to refreshing authenticity.


Just like the cultural practice of memes, architecture became a reflection of the present, thereby regaining the ability to achieve distinctive autonomy as a measure of our time.










 



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